Due to a fortunate concatenation (do you like that word? I learned it from
Bertie Wooster) of circumstances, I got to tag along on Sam's trip to Moscow, Russia. He was presenting at a digital painting workshop, they invited me along, and it seemed too good an opportunity to pass up! I admit the flight (especially home) was quite . . . taxing, but otherwise, I loved every minute of it!
I always like it when I get to see Sam in "professional mode." It's especially fun to watch him with his classes because he's such a great teacher. He's so good at explaining things in a way that makes sense and that is engaging. By the time he's finished, he always has me half-convinced I could be an artist by just implementing the things he's talked about. (When I get an actual drawing instrument in my hand, I am soon disabused of this notion.)
It was interesting to watch how Sam's presentation played out, having to go through the Russian interpreter first. It seemed to me like the interpreter was doing a good job (but how would I know?) but it was kind of odd to watch the two waves of comprehension pass through the audience at various times (many of them did speak English). Even weirder was listening to the other presenter speak in French with a Russian interpreter. It reminded me of the time in Frankfurt when I saw
Yevgény Onégin performed in Russian with German supertitles. I feel like if I just . . . listen . . . hard . . . enough maybe I'll get something? But no.
There were so many people there! About 400, I think I heard someone say.